![]() The rebrand to Hitfilm includes the introduction of two subscription tiers that, as you'd expect, mean the free version isn't quite all-singing, all dancing, and no-longer a genuine alternative to other paid-for tools. But things have changed somewhat and this software has fallen down our list from number two. To learn more, see our full DaVinci Resolve review.Īnother good choice for professional video editors is Hitfilm (previously Hitfilm Express), which, before the recent update, we would have described as the Swiss Army knife of free video editing software. If that's you, we'd suggest instead looking at entries three to 10 on our list. That said, while that interface is quite straightforward to use for anyone with editing experience, it would be quite a challenge for beginners to learn. All that meant that we didn’t need to ‘do an Adobe’ by jumping around loads of programs to get our perfect video we could do it all within the one interface. We also loved its smart video stabilisation tool, for when you’ve got a shaky shot, and the built-in audio mixing, VFX and title-card-building modes also functioned brilliantly. ![]() In our review, we found its colour grading options to be second to none, giving us the ability to fully control the look of our videos. Despite being free, this is a feature-packed powerhouse and really gives paid tools a run for their money in terms of versatility and usefulness. Note that this is not to be confused with DaVinci Resolve Studio, which is a paid version of the same program.ĭaVinci Resolve is made by Blackmagic Design, which also makes a popular family of video cameras, so you know it’s designed for filmmakers. The best free video editing software for professionals right now is DaVinci Resolve. And to find out more about our reviewing process, read our article on how we test software. We've included links to these full reviews below. This has involved several hours of editing our own projects, to check how the different software compares in terms of ease of use, speed and reponsiveness, the power of adjustment, blending and transition features, and video and audio effects. ![]() Along with using this software in our day-to-day jobs, and getting feedback from fellow creatives on how useful they find them, we've also formally reviewed the majority of tools on this list. To compile this article, we've drawn on our personal experience with a range of video editing software, on Windows and Mac computers, as well as the best video editing apps for Android, iOS and Chromebooks. If so, check out the three quick links immediately below, or see our guide to the best paid-for video editing software. If you want to avoid such restrictions, one alternative is to take out a free trial for full, paid-for software. Your video may be imprinted with watermarks, or branded intros, and the range of export formats may be limited. It should be noted that free video editing software comes with some limitations. (If you are new to editing, also try our video editing for beginners guide.) Its packed with sophisticated features such as colour grading and smart video stabilisation, which makes it suitable for high-end content, including full-blown TV and movies. That's why the number one spot, DaVinci Resolve, is the best free video editing software for professional work in mind. I could use DVE to overlap the backgrounds of each frame to the nearest pixel(!).We've also taken into account the various abilities of users. But of course the background - the ground - is not moving at all, so in theory if I could make each frame lock to the previous one from a pre-selected area with some highlight in, and all would be well. I now want to do this using a camera looking down from above (on a pole, or a drone), but am finding that neither of these are nearly steady enough only the smallest movement of the background is needed to destroy the illusion. Works very well IFF the camera is on a nice steady tripod. Easy to do, actor gurns away (or whatever they do) in one part of the frame, then moves to another part of the frame and does the same, then in Lwks I put the first half on V1, the second half on V2 and use a mask to make the magic happen - two actors on screen. I am shooting a scene with a 'virtual double'. Deshaker (virtualdub) seems to be the most adjustable, well, deshaker I can find, but even its 'total deshake' option doesn't do this - and doesn't claim to. locking the background to the first frame. ![]() ![]() I wonder if anyone knows of a way of 'totally' stabilising footage i.e. ![]()
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